Documentary filmmaker Casey Beck chronicles a full year — four seasons — in the life of an organic farmer in Sonoma, California and the financial insecurity, physical hardship, and rise of corporate agriculture that threaten the sustainability of small-scale, localized organic farming.
The Organic Life aims to move audiences to better understand the rigors involved as well as the delicious gratification, while also reducing our carbon footprint and mitigating individual impacts on the environment. The filmmaker is partnering with two local fresh food mobile apps on the market, “Locavore” from LocalDirt and “Dirty Dozen” from the Environmental Working Group. There are plans to develop a “living classroom” curriculum to go with the movie for local school children and adults.
A Series of Continuing Beginnings
"...The moment when something major is accomplished and
we are so relieved to be finally done with it that we are already
rushing, at least mentally, into The Future. Wisdom, however, requests a
pause...This is the time of 'the pause,' the universal place of
stopping. The universal moment of reflection." -Alice Walker, We Are the Ones We Have Been Waiting For
Austin Blair cultivates a row of kale while Jamie Thrower, of Studio 13 Designs, takes photos for the curricula.
As I dream of all of the places the film will ultimately go -- first to festivals, then to community screenings, schools, homes, family farms, and finally to the Internet -- it's hard not to feel a pressing rush to get the film out there; to submit, submit, submit and to do my very best as the director to see the film reach the largest audience possible. Every week now I receive an email from a stranger from Canada, or New York or Los Angeles asking when and where they can see the film. And every week I have to take a deep breath before responding that soon it will be available...but not quite yet. I think a major part of this pause is allowing myself to experience those feelings without feeling rushed or hurried, to not shy away from the possibilities that will come but to not reach out for them just yet. Because the film deserves a moment of stillness, and I've come to realize that I do, too.
To take this pause is to allow all the energy behind the film, all of the energy and resources that were put into it over the past two years and all of the energy compelling the film forward to percolate. This simmering will allow the film and the filmmaker both a rest and also a moment of mental clarity before the next step. Because to take this pause is to understand that there really is no end but rather just a series of continuing beginnings.